Datoteka:Dülmen, Wildpark -- 2018 -- 1417-21.jpg
| Ova datoteka je s Wikimedia Commonsa. Opis s njene stranice opisa datoteke prikazan je ispod. Commons je skladište slobodnih medija i datoteka za sve projekte fondacije Wikimedia. Možete i Vi pomoći. |
Sažetak
| OpisDülmen, Wildpark -- 2018 -- 1417-21.jpg |
Deutsch: Herbstlicher Wildpark in Dülmen, Nordrhein-Westfalen, Deutschland
Der Wildpark wurde 1864 vom englischen Gartenarchitekten Edward Milner als „Amended Plan of Park Dülmen Westphalia“ geplant und 1868 vom ebenso aus England stammenden Gärtner Charles Barnard angelegt. Er ist ein klassischer Landschaftspark mit weiträumigen Wiesenflächen und Rundwegesystem, der auch forstwirtschaftlich genutzt wird. Im Park befindet sich der Herzteich mit einer kleinen Insel sowie die Gräfte des ehemaligen Schultenhofs Hinderkinck und nahe der Gräfte ein Forsthaus. U. a. Ende des 19. Jahrhunderts wurde der Park durch den Erwerb von Besitzungen erweitert. Mit dem Bau der Bundesautobahn 43 in den 1970er Jahren wurde er um ca. 250 Hektor verkleinert. English: Wildlife park in Dülmen, North Rhine-Westphalia, Germany
The wildlife park was designed in 1864 by English landscape architect Edward Milner as the “Amended Plan of Park Dülmen Westphalia” and laid out in 1868 by Charles Barnard, a gardener who also came from England. It is a classic landscape park with extensive meadows and a system of circular paths, which is also used for forestry. The park features the Herzteich pond with a small island, the moat of the former Schultenhof Hinderkinck farm, and a forester’s lodge near the moat. At the end of the 19th century, among other things, the park was expanded through the acquisition of additional properties. With the construction of the Bundesautobahn 43 in the 1970s, it was reduced in size by approximately 250 hectares. Magyar: A dülmeni vadaspark reggel.
Alfred von Croÿ az 1860-as években Edward Milner angol tájépítészt bízta meg a vadaspark tervezésével, amit Charles Barnard kertész kivitelezett (Dülmen, Észak-Rajna-Vesztfália, Németország) Italiano: Riserva di caccia di Dülmen vista di mattina, Renania Settentrionale-Vestfalia, Germania
Alfred von Croÿ commissionò il giardinaggio all’architetto del paesaggio inglese Edward Milner negli anni 1860. Il lavoro fu svolto dal giardiniere Charles Barnard. 한국어: 독일 노르트라인베스트팔렌주 뒬멘 내 사냥금지구역의 아침 풍경.
1860년대 알프레드 폰 크로이는 영국의 환경 건축가 에드워드 밀너에 정원 가꾸기를 의뢰했다. 작업은 정원사 찰스 바너드가 수행했다. Эрзянь: Валске кородома таркасо Дюльмен, Пелевеёнкс Рейн-Вестфалия, Германия
Альфред фон Кро (Alfred von Croÿ) максь тев Эдвард Мильнернэ масторчамань архитекторонтень 1860-це иетнестэ. Тевенть теизе Чарльз Барнард (Charles Barnard) умарьпирень ваныцясь. Polski: Jesienny ranek w rezerwacie dzikich zwierząt w Dülmen w Nadrenii Północnej-Westfalii, w Niemczech
Українська: Ранковий мисливський заповідник у Дюльмені, Північний Рейн-Вестфалія, Німеччина.
У 1860-х роках Альфред фон Крой доручив англійському ландшафтному архітектору Едварду Мільнеру створити сад. Роботи проводив садівник Чарльз Барнард.
|
||||||||||||||||||||||||||||||||||||||||
| Address InfoField |
|
||||||||||||||||||||||||||||||||||||||||
| Location InfoField | |||||||||||||||||||||||||||||||||||||||||
| Prikazuje InfoField | Wildpark (Dülmen) | ||||||||||||||||||||||||||||||||||||||||
| Technical Specifications InfoField |
|
||||||||||||||||||||||||||||||||||||||||
| Image data InfoField |
|
||||||||||||||||||||||||||||||||||||||||
| Datum | Taken on 11 oktobar 2018, 08:37 | ||||||||||||||||||||||||||||||||||||||||
| Izvor | Vlastito djelo | ||||||||||||||||||||||||||||||||||||||||
| Autor |
creator QS:P170,Q34788025 |
||||||||||||||||||||||||||||||||||||||||
| Dopuštenje (Naknadno korištenje ove datoteke) |
I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licenciranje or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the rights granted under the license apply exclusively to the photograph itself, but not to the rights of third parties — such as copyrights or property rights in the object depicted or the personal rights of any individuals who may be depicted. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
|
||||||||||||||||||||||||||||||||||||||||
| Pripisivanje (required by the license) InfoField | Dietmar Rabich / Wikimedia Commons / „Dülmen, Wildpark -- 2018 -- 1417-21” / CC BY-SA 4.0
|
||||||||||||||||||||||||||||||||||||||||
| tag InfoField | Deutschland, Dülmen, Germany, Nordrhein-Westfalen, North Rhine-Westphalia, Park, Westfalen, Wildpark, Wildpark Dülmen, … Alemanha, Alfred von Croÿ, Allemagne, Baum, Baumfotografie, Bild des Tages, Bundesautobahn 43, Contre-jour, Contre-jour photography, Denkmal, Diffraction spike, Duitsland, Dülmen-Mitte, Edward Milner, England, Exzellentes Bild, Featured picture, Flora, Forest, Fotokunst, Gegenlicht, Großbritannien, HDR, HDRI, HDR-Image, Herbst, High Dynamic Range Image, Hochkontrastbild, Kreativität, Kreis Coesfeld, Kultur, Kulturdenkmal, Landscape, Landscape photography, Landschaft, Landschaftsfotografie, Licht, Monument, Münsterland, Nadrenia Północna-Westfalia, Natur, Nature photography, Naturschutzfotografie, Naturschutzgebiet, Niemcy, Noordrijn-Westfalen, Pflanze, Photo art, Photographic art, Picture of the day, Plant, Qualitätsbild, Quality image, Renânia do Norte-Vestfália, Renania Settentrionale-Vestfalia, Reserva de Caça, Schatten, Schutzgebiet, Sonne, Spiel, Spike, Stadt, Starburst effect, Tone-mapped HDR image, Tree, Tree photography, Umweltfotografie, United Kingdom, Vereinigtes Königreich, Wald, 2018 |
||||||||||||||||||||||||||||||||||||||||
| hashtag InfoField | |||||||||||||||||||||||||||||||||||||||||
| Object location | 51° 49′ 48,8″ N, 7° 15′ 16,6″ E | View this and other nearby images on: OpenStreetMap |
|---|
| Camera location | 51° 49′ 50,1″ N, 7° 15′ 37,01″ E | View this and other nearby images on: OpenStreetMap |
|---|
| NOTE: For this image, at least three individual images were combined as a High Dynamic Range Image (HDRI) and tone mapping (or as an exposure fusion (pseudo HDRI)) and were thereby processed digitally. Therefore, this picture may not reflect reality exactly in every detail. |
Assessment
|
This image was selected as picture of the day on Wikimedia Commons for 12 November 2020. It was captioned as follows: English: Morning game reserve in Dülmen, North Rhine-Westphalia, Germany Alfred von Croÿ commissioned the english landscape architect Edward Milner with the gardening in the 1860s. The work was carried out by the gardener Charles Barnard. Wikipedia: Dülmen • Edward Milner Other languages:
Deutsch: Morgendlicher Wildpark in Dülmen, Nordrhein-Westfalen, Deutschland Alfred von Croÿ beauftragte in den 1860er-Jahren den englischen Landschaftsarchitekten Edward Milner mit der Gestaltung. Ausgeführt wurden die Arbeiten durch den Gärtner Charles Barnard. Wikipedia: Wildpark (Dülmen) • Dülmen • Alfred von Croÿ • Edward Milner English: Morning game reserve in Dülmen, North Rhine-Westphalia, Germany Alfred von Croÿ commissioned the english landscape architect Edward Milner with the gardening in the 1860s. The work was carried out by the gardener Charles Barnard. Wikipedia: Dülmen • Edward Milner Español: Reserva natural en Dülmen, Renania del Norte-Westfalia, Alemania. Magyar: A dülmeni vadaspark reggel. Alfred von Croÿ az 1860-as években Edward Milner angol tájépítészt bízta meg a vadaspark tervezésével, amit Charles Barnard kertész kivitelezett (Dülmen, Észak-Rajna-Vesztfália, Németország) Македонски: Утро во парк на дивината кај Дилмен, Северна Рајна-Вестфалија, Германија. |
Licenciranje
- Slobodni ste:
- da dijelite – da kopirate, distributirate i prenosite djelo
- da remiksate – da prilagodite djelo
- Pod sljedećim uslovima:
- pripisivanje – Morate pripisati odgovarajuće autorske zasluge, osigurati link ka licenci i naznačiti jesu li napravljene izmjene. To možete uraditi na bilo koji razumni način, ali ne tako da se sugerira da davalac licence odobrava Vas ili Vašu upotrebu njegovog djela.
- dijeli pod istim uslovima – Ako mijenjate, transformišete ili nadograđujete ovaj materijal, morate ga objaviti i distribuirati samo pod istom ili sličnom licencom poput ove.
Notes
For users of the photo
The rules of the listed free license apply, no more and no less. Please respect the copyright protection.
Particular attention should be paid to the terms of use, especially when using social media. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.
The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.
Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
Links …
|
|---|
|
For editors
Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.
- If you make changes to the image and want to make the modified image available to others here, upload the result under a new name and credit yourself as the editor — even for very minor changes. The templates Derivative and Extract are also available for this purpose. In addition, the author would like to make only minor corrections to the source he has on hand. The source is — as a rule — a RAW file. Editing a JPEG file always results in an undesirable loss of quality.
- As an alternative to the specified license, only compatible licenses are permitted. Otherwise, any other form of licensing is reserved exclusively for the copyright holder.
- When making changes to the filename, please always keep in mind the world outside of Wikimedia Commons. Anyone who enters a link expects the correct page with the correct image to appear. Anything else leads to confusion. A reference to the file versions is considered insufficient and impractical.
If you believe changes are necessary, or if you would like to offer constructive criticism, please contact the author.
It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.
Two additional notes:
- File metadata (EXIF/IPTC/XMP) may not be removed or altered, provided that it is useful and necessary for the enforcement of rights. (protection of information necessary for the enforcement of rights, §95c UrhG).
- The author expressly disavows any images based on his photos (derivative works) that have been altered — even minimally — by third parties and on which only his name is listed as the author.
The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
Links …
|
|---|
|
For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.
Captions
Items portrayed in this file
prikazuje
heritage designation engleski
11 oktobar 2018
Commons quality assessment engleski
fabrication method engleski
exposure time engleski
0,00625 sekunda
f-number engleski
10
ISO speed engleski
50
105 milimetar
coordinates of depicted place engleski
51°49'48.8"N, 7°15'16.6"E
media type engleski
image/jpeg
6.718 piksel
4.477 piksel
data size engleski
22.444.442 bajt
Wildpark (Dülmen) engleski
landscape photography engleski
tree photography engleski
checksum engleski
4261321e2511cecd4f7a10b5a066655037c74daa
coordinates of the point of view engleski
51°49'50.1"N, 7°15'37.0"E
lighting engleski
WildparkDülmen
ContreJour
Duelmen
Dülmen
HDRI
HighDynamicRangeImage
LandscapePhotography
TreePhotography
tree
DiffractionSpike
Historija datoteke
Kliknite na datum/vrijeme da vidite verziju datoteke iz tog vremena.
| Datum/vrijeme | Smanjeni pregled | Dimenzije | Korisnik | Komentar | |
|---|---|---|---|---|---|
| trenutno | 18:39, 7 novembar 2018 | 6.718 × 4.477 (21,4 MB) | XRay | meta | |
| 17:35, 6 novembar 2018 | 6.718 × 4.477 (21,4 MB) | XRay | CAs fixed | ||
| 10:23, 11 oktobar 2018 | 6.718 × 4.477 (21,68 MB) | XRay | meta | ||
| 10:15, 11 oktobar 2018 | 6.718 × 4.477 (21,68 MB) | XRay | Uploaded with LrMediaWiki 0.8.0, LR 7.5 Mac |
Upotreba datoteke
Nema stranica koje koriste ovu datoteku.
Globalna upotreba datoteke
Sljedeći wikiji koriste ovu datoteku:
- Upotreba na av.wikipedia.org
- Upotreba na be-tarask.wikipedia.org
- Upotreba na bn.wikipedia.org
- Upotreba na crh.wikipedia.org
- Upotreba na cv.wikipedia.org
- Upotreba na hu.wikipedia.org
- Upotreba na hy.wikipedia.org
- Upotreba na it.wiktionary.org
- Upotreba na ka.wikipedia.org
- Upotreba na ko.wikipedia.org
- Upotreba na lbe.wikipedia.org
- Upotreba na lez.wikipedia.org
- Upotreba na mk.wikipedia.org
- Upotreba na os.wikipedia.org
- Upotreba na pt.wikipedia.org
- Upotreba na ru.wikipedia.org
- Upotreba na ru.wikinews.org
- Upotreba na sah.wikipedia.org
- Upotreba na tt.wikipedia.org
- Upotreba na vep.wikipedia.org
- Upotreba na zh.wikipedia.org
Metapodaci
Ova datoteka sadržava dodatne podatke koje je vjerovatno dodala digitalna kamera ili skener u procesu snimanja, odnosno digitalizacije. Ako je datoteka mijenjana, podaci možda nisu u skladu sa stvarnim stanjem.
| Proizvođač kamere | Canon |
|---|---|
| Model kamere | Canon EOS 5D Mark IV |
| Autor | Dietmar Rabich |
| Vrijeme izlaganja (ekspozicije) | 1/160 sekundi (0,00625) |
| F broj | f/10 |
| Rejting ISO brzine | 50 |
| Fokusna dužina objektiva | 105 mm |
| Širina | 51° 49′ 50,09″ N |
| Dužina | 7° 15′ 37,01″ E |
| Visina | 60 metara nadmorske visine |
| Kratki naslov |
|
| Vlasnik autorskih prava |
|
| Datum i vrijeme generisanja podataka | 08:37, 11 oktobar 2018 |
| Prikazani grad | Dülmen |
| Horizontalna rezolucija | 300 dpi |
| Vertikalna rezolucija | 300 dpi |
| Korišteni softver | Adobe Photoshop Lightroom Classic 8.0 (Macintosh) |
| Vrijeme i datum promjene datoteke | 17:34, 6 novembar 2018 |
| Exif verzija | 2.3 |
| Datum i vrijeme digitalizacije | 08:37, 11 oktobar 2018 |
| Otvor blende | 6,6438561438561 |
| Datum i vrijeme digitalizacije u dijelovima sekunde | 83 |
| Prostor boje | sRGB |
| GPS vrijeme (atomski sat) | 06:36:43.906 |
| GPS datum | 11 oktobar 2018 |
| Verzija GPS bloka informacija | 0.0.2.2 |
| Serijski broj fotoaparata | 123055001038 |
| Korišteni objektiv | EF24-105mm f/4L IS II USM |
| Vlasnik fotoaparata | Dietmar Rabich |
| Datum posljednje izmjene meta podataka | 18:34, 6 novembar 2018 |
| Jedinstveni ID originalnog dokumenta | 275F88BF81FE07F521E96535BBCB839F |
| Status autorskih prava | Zaštićeno autorskim pravima |
| Ključne riječi |
|
| Podaci za kontakt |
|
| Prikazana provincija ili pokrajina | Nordrhein-Westfalen |
| Prikazana država | Deutschland |
| Kod prikazane države | DE |
| IIM verzija | 4 |




