Komponis

Komposer (atawa komponis) nujul kana jalma anu nyerat notasi musik; sistem anu ngagambarkeun aura musik ngaliwatan panggunaan simbol-simbol tertentu, anu ngamungkinkeun musisi maénkeun catetan éta salaku musik anu diaransemen. Ieu anu ngabédakeun komposer sareng musisi anu improvisasi atanapi maénkeun alat musik.

Istilah "komposer" atanapi "komponis" sering dianggo pikeun nujul kana musik tradisional Kulon, nyaéta musik klasik. Pikeun lagu-lagu umum sapertos musik populer, lagu rahayat sareng anu sanésna, istilah anu umum dianggo nyaéta panulis lagu sabab musik populer biasana ngabentuk hiji lagu sareng ogé kusabab skala notasi musikna anu alit, dibandingkeun sareng komposer musik klasik anu biasana dikaitkeun sareng komposisi ageung sapertos simfoni orkestra. Nanging, akhir-akhir ieu, kalolobaan panulis lagu musik anu populér disebut komposer.

Tingkat bédana antara komposer sareng musisi ogé béda-béda. Bédana ieu sakapeung tiasa nyababkeun pangaruh négatif sapertos masalah hak cipta sareng kacenderungan pikeun ngahargaan interpretasi individu tina karya musik anu khusus. Contona, dina kamekaran musik klasik atawa opera di Éropa, fungsi komposer mimitina mah teu dianggap penting dibandingkeun jeung fungsi pagelaran musik.

Bacaan salajengna

• Beckwith, John; Kasemets, Udo (1961). The Modern Composer and His World. Heritage. Foreword by Louis Applebaum. Toronto: University of Toronto Press. JSTOR 10.3138/j.ctt15jjfcx.
• Blum, Stephen (2023). "Composition". Grove Music Online. Oxford: Oxford University Press. DOI:10.1093/gmo/9781561592630.article.06216. 
• Borowiecki, Karol Jan; Kristensen, Martin Hørlyk; Law, Marc T. (2026). "What's in a name? Dynasties, selection, and talent allocation among classical composers". Journal of Economic Growth.
• Mugmon, Matthew (November 2013). "Beyond the Composer-Conductor Dichotomy: Bernstein's Copland-Inspired Mahler Advocacy". Music & Letters. 94 (4): 606–627. doi:10.1093/ml/gct131. JSTOR 24547378.
• Everist, Mark (2013). "Master and Disciple: Teaching the Composition of Polyphony in the Thirteenth Century". Musica Disciplina. 58: 51–71. JSTOR 24429413.
• Meyer, Leonard B. (2010). [[[:Citakan:Google books]] Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture]. Chicago: University of Chicago Press. ISBN 978-0-226-52144-2.
• Piotrowska, Anna G. (December 2007). "Modernist Composers and the Concept of Genius / Skladatelji Moderne i pojam genija". International Review of the Aesthetics and Sociology of Music. 38 (2): 229–242. JSTOR 25487527.
• Wegman, Rob C. (Autumn 1996). "From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500". Journal of the American Musicological Society. 49 (3): 409–479. doi:10.2307/831769. JSTOR 831769.
• Williams, Justin A.; Williams, Katherine, éd. (2016). The Cambridge Companion to the Singer-Songwriter. Cambridge: Cambridge University Press. ISBN 978-1-107-06364-8.
• Young, Toby (2024). "Introduction". Dina Young, Toby (éd.). [[[:Citakan:Google books]] The Cambridge Companion to Composition]. Cambridge: Cambridge University Press. hlm. 1–18. ISBN 978-1-108-92373-6.
• Ziolkowski, Jan M. (2018). "1. The Composer". The Juggler of Notre Dame and the Medievalizing of Modernity. Vol. 4: Picture That: Making a Show of the Jongleur. Cambridge: Open Book Publishers. ISBN 978-1-01-329142-5. JSTOR j.ctv8d5t5s.